I’ll never forget the day a single piece of music literally
and without doubt turned what could have been an ugly and painful (for me) conflict
into a happy and memorable afternoon.
At one point on that unforgettable day, I was certain a big guy was going
to break my nose. Seconds later, he and I were laughing. And it was all because
of music.
I’ll give you more details in a minute but here's something much more important.
Today,
March 22, 2016 A.D., I came to understand that the incident has significance ranging far
beyond my schnozz and downtown Toronto. It was in fact historic.
But before I explain that, you have to
know what happened.
The “near hit” was in 1994 or ‘95, in the heart of
Parkdale, an inner-city neighbourhood near our Toronto home. I had
just dropped my children Ewa, Ria and Michel off at a community centre. It was
a Saturday.
After leaving the kids, I nipped back to our house for some reason. And
yes, I was driving a minivan.
Returning to the gym, I had Loreena McKennitt on CBC. I think she was singing
Lady of Shalott. But I wasn’t merely “listening”.
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MCKENNITT TO THE RESCUE |
I was enraptured, and I didn’t know enrapture was a word until I just Googled it.
McKennitt’s
angelic voice was taking me by the ears, far, far away from Planet Dad and
Parkdale. I also think I was falling in love.
Still, I managed to navigate back to the community centre. I
parked but stayed in the van a few extra moments to savour the rest of the song.
Except. Somebody rapped on my window. A dark-haired big guy
with a moustache peered down at me. I switched off Loreena and rolled down the
window.
“Whattaya think you’re doin?” he said. “Ya can’t park here!”
Then I noticed. My
van was exactly at the end of his driveway, completely blocking him in. I hadn’t even looked.
“Geez,” I said. “I’m sorry. I was lost in the music. It’s Loreena McKennitt.”
Mr. Moustache: “Really?” Then--I’ll never forget what he
said next:“She does it to me too.”
It actually happened that way.
We laughed, I apologized and drove to a suitable spot.
And here’s why you have to know that.
This very afternoon I was with my friend the
musician Douglas Perry, who not only knows more about music than any man I’ve met, the lucky dog actually played
as a session man on one of McKennitt’s records.
But we weren’t talking about her.
I was explaining to Douglas how--in my completely
unscientific opinion--music has played a very significant and probably measurable
role in decreasing crime across North America.
True fact: Since the mid-'90s, the U.S. and Canada have
enjoyed terrific drops in violent crime. It’s way more peaceful out there than
it used to be.
You wouldn’t know it by looking. Exciting stuff still gets
reported. But now, newspapers have to go further afield to find the drama, and everyday
stuff we used to write off as non-news—puppies being rescued by the SPCA-- are reported as important events.
But U.S. gun crime
peaked in 1993 and has been plummeting since. The western world is safer.
Period.
Theories for why are many and varied and range from increased
literacy to more access to birth control and the absence of leaded gas in cars.
(True! Look it up!)
My theory? Music. Plain and simple.
Douglas likes this, too.
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DOUGLAS PERRY (MASON) |
We live in a far more musical world.
Music soothes the savage breast, right? (Douglas told me
about research that shows that goats and cows milk more happily when the right
music is played in the barn.)
And over the same period of time since the McKennitt
incident, the entire North American population has immersed itself in music,
everywhere, all the time, to an unprecedented degree. In the car, through
headphones in school; in offices. En
route to everywhere.
When my dad was my age, he didn’t work with Frank Sinatra
crooning in the background. Music was played on special occasions; and often
badly and through horrible sound systems.
Even car rides were unmusical.
When I was a kid our family made a lot of trips between
Sudbury and Toronto. A few miles south of Sudbury, the sole AM signals would
fade and we’d be lucky to hear anything until we neared Toronto.
Mostly? There was no music.
But now?
Everywhere. What’s more, piped-in music is far superior to
the old brand. I recently chose to eat at a particular coffee shop in the Winnipeg Airport because
John Mayall and the Bluesbreakers'
Room to Move was coming from its in-store sound system.
This morning, I was driving in Toronto rushhour in the rain.
We're talking some of North America’s most vicious traffic.
On the radio was the
London Philharmonic Orchestra performing a delightful piece of very happy music
that I couldn’t identify.
It occurred to me
that if I had a close encounter with any other driver while I was engaged in
this smiley music, ain’t no way could I so much as frown at him, much less get
angry.
(Turned out it was the theme from the video game
Tetris.)
Music makes us happier; it relieves stress and helps us
think more clearly. It calms us down. And
it’s everywhere.
Now you know why there’s less crime. You’re welcome.
But you know what my favourite part of this is?
When I shared my theory with Douglas, he sat back and
reflected quietly for an uncharacteristic length of time before responding.
Very unDouglas-ish, I thought. Then he calmly
said, “Peter I think you’re on to something.”
Douglas is one of the smartest people I know. Not only that, he’s been in the same room as Loreena McKennitt. That's good enough for me.